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4 out of 4 found this helpful: Leaving Mother Lake
Review: Leaving Mother Lake
So this is not the same edition that I read, but it is the same book by the same authors.
So I’ll get the negative bit out of the way first: Especially in the first few chapters, the book seems to be written with a kind of “Look at as Mosuo, aren’t we so great and wonderful and different” tone to it. It’s hard, no, impossible to tell whether this tone comes from Namu or Christine Mathieu. The book is written in the first person as if it were Namu relating her story, but of course I have no way of knowing just how much or what kind of an influence Christine Mathieu had over the final product. I mentioned this to the friend who leant me the book, and she told me to read the Epilogue first, as that explained a lot of Mathieu’s interest in the Mosuo and the motivation behind this book. So I did. But reading the Epilogue didn’t really clear anything up.
In fact, certain passages from the Epilogue only increased my misgivings about the book. All of a sudden, Mathieu seemed to be not merely describing, but idealizing Mosuo society. Compare these two quotations from the Epilogue:
“As these expressions go, women may get to rule the roost or to be the power behind the throne; in other words they may usurp the authority that is ideally vested in men. But Mosuo women do no such thing. They are legitimate figures of family authority, managers of family wealth, coowners of family property, caretakers of ancestors, and owners of their own bloodlines. Not least, they have personal rights and freedoms in the domain of sexual relations that are unthinkable in much of the rest of the world.”
“But in most societies, for marriage to work, something usually has to give. In patrilineal male-dominated societies, that something is very often romantic love, and almost always (female) sexual freedom and pleasure. In more extreme cases, male lineages may well depend on the exclusive sexual cooperation of wives and daughters, a thing that women are not naturally inclined to provide.”
Now, all I know of Mosuo society is what I read in this book, so I won’t comment on that, except to say that Namu’s own story comes close to suggesting that Mosuo society may well be as much of a gilded cage for women as any other society on this earth. However, Mathieu’s characterization of patrilineal societies is nothing more than a collection of ext...... full review
2006-04-04 19:58 | 1 comment
1 out of 1 found this helpful: Dance Dance Dance
Review: Dance Dance Dance (Vintage International)
So I just finished reading Dance Dance Dance. It's not a bad book, but certainly not great. After a bit, the 'mystical' elements like the Sheepman and the room of skeletons in Hawai'i just start to seem silly. And I don't think Murakami could have written more cliched hard-bitten cops if he tried. But those really are peripheral matters. Towards the end of the book I started to get a bit tired of the protagonist and his overly self-absorbed, adolescent angst-filled wankery. I mean, why do apparently 'big' issues like apparent corruption in the real-estate industry in Sapporo or the murder of high-class call girls get pushed to the side while this allegedly 34-year-old main character tries to "find himself"?
But having said all that, it is a reasonably entertaining book. I could say Murakami writes well enough to bring the story to some kind of life, but I don't read Japanese: The translator did an equally good job.
2006-01-08 17:28 | comment
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